Ebook Visions in Death: In Death, Book 19

Ebook Visions in Death: In Death, Book 19

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Visions in Death: In Death, Book 19

Ebook Visions in Death: In Death, Book 19

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Product details

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Audible Audiobook

Listening Length: 11 hours and 18 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: May 20, 2008

Whispersync for Voice: Ready

Language: English, English

ASIN: B0019ZWM3S

Amazon Best Sellers Rank:

I never put spoilers in my reviews.Credit where credit is due: finally, they've decent proofreading! This was one of the most emotionally powerful books of the series and it would have been a shame if the mood had been ruined by the glaring mistakes of the past. So, thanks, Penguin Group for doing your job.J D Robb (Nora Roberts) is one of the few authors I reread. Everything about the "in death" novels is quality writing and defies genre labeling.From the relationship between Dallas and Rourke, the mystery/thriller storyline, an extremely strong female role model, the secondary characters, the setting, well, everything, you just can't wait for the next one. Robb shows that a woman can be strong and capable despite soul crippling events in her life. I have a mantra, "just step over it and move on." Eve Dallas personifies this. It doesn't mean you never think of it or that you forget but life goes on.Dallas "stands for the dead," they are hers, no matter who or what they were in life and grieves for their lost futures. To her it's almost a sacred trust and she is uncompromising in her pursuit of justice for those in her care.I think even most men would like these books, if for no reason than to see how women would like to be treated.Read, enjoy, repeat.

This series has been consistently good, but this is one of the best, IMO. The crimes and detection are good, but it's the relationships between the characters that really make these books stellar. And this one, for a lot of reasons, tugs on the old heartstrings.But first, the funny stuff. Mavis and Leonardo are expecting their first child and Mavis tells Eve she wants Eve to be the backup birthing coach."Eve choked on the canapé and turned white."Take a drink, darling,” Roarke said with a laugh in his voice. “Put your head between your knees if you feel dizzy.”"Shut up. Are you talking about . . . like, being there? In the actual place at the actual time? In the same room as . . . it.”"“We want Roarke there, too.” Mavis sniffed into her cloth."Me? There?” Eve turned her head and saw—with pleasure—the rare sight of utter panic on his face. “Not so damn funny now, is it, ace?”“We’re permitted, even encouraged, to have family present,” Leonardo explained. “You’re our family.”"Ah, I’m not sure it’s quite proper for me to be . . . to see Mavis in that condition. Under those . . . circumstances.”Later, Eve and Roarke talk about this situation.Roarke pressed his fingers to his temples. “We can’t think about this anymore. We’ll go mad if we do. We have to think about something else.” He stabbed the cigarette out. “Entirely.”She drew one long, shaky breath. “You’re right. I’ve got work.”"Murder. Much better. Let me help. I beg you.”The crimes - women, all of average height and weight with long, light brown hair, being savagely beaten, viciously raped, strangled and their eyes cut out as the coup de grace - are violent and disturbing. But Eve takes one night off to socialize when Louise and Charles give a dinner party for Eve and Roarke and Peabody and MacNab. Eve is finally embracing the concept of friendships."My life used to be simple.”"Mmm.”"It did. Because it didn’t have all these people in it.”"If you need to shove somebody out, you know, to simplify? Could you give Roarke the push? See, McNab and I have this understanding. If Roarke’s clear, I get to take my shot at him. McNab gets one at you.” When Eve choked on the last swallow from the tube, Peabody gave her a helpful thump on the back. “Joking. Just sort of joking.”With the nature of the crimes, Eve shows some stress. Peabody makes a remark about the perp having likely been abused as a child and Eve goes off on her. Of course, she realizes she has overreacted. She ends up telling Peabody about what her father did to her as a child, and that she killed him. Peabody cries. It's so amazing how Ms . Roberts has developed these characters and their relationship!And then Peabody is attacked by the perp and nearly killed. Once she finally knows Peabody is going to recover, Eve loses it:"She strode away, headed straight for the woman’s bathroom. Inside, she just sat on the floor, pressed her hands to her face, and cried. Her chest hurt with it, heaved with it as the pressure finally broke free. Her throat was raw, her head thumping as the emotions she’d stifled took over, poured out in a hot, violent flood."And then just when the killer has been caught, a final twist! I admit, I didn't see that one coming!

Since I have read every "in Death" title twice (except my least favorite titles), I decided to identify those titles in the series which are my favorite.What do my favorites have in common?1. These are the ones that have (for me) interesting cases.2. Funny interactions between Eve and the rest of the world. Eve has a unique tale on the world and her comments are often hilarious.3. Because of her abnormal childhood, she odd lapses in her education and social development that she is only now overcoming as an adult. It's fun for me to watch this fictional character learn to become the best human being she can be despite that horrid childhood.4. Lots of page time for the ongoing collection of returning characters. I love her supporting characters. The cops on her team and her friends.5. Some other unknown quality that calls to me.Things that are NOT considered in my favorite ratings:1. The sex scenes between Eve and Roarke. Not a factor for me. Most of the time, the pages of description of their sexual couplings could be omitted without changing the book for me. I know from reading the reviews of others that the sexual relationship and the love relationship between Eve and Roarke are all that matters to some readers. I am not one of those readers.2. Foul language. Yeah, I was shocked when I read my first "in Death" book by the prevalence of foul language. Now I mostly ignore it.3. Whether other reviewers like the book or hate it. I decide on my own whether I like something. My parents taught me to think for myself.Why this title is a favorite: Now why is it that both the book where McNab gets hurt, nearly loses his life, is one of my favorites and this one where Peabody gets hurt is another? I like the characters, certainly didn't want them to get hurt but it makes it personal for Eve. Another interesting case. A special victim hidden among many victims. Philosophically explores the meaning of responsibility.

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Visions in Death: In Death, Book 19 PDF

Visions in Death: In Death, Book 19 PDF

Visions in Death: In Death, Book 19 PDF

Visions in Death: In Death, Book 19 PDF