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Don't Let's Go to the Dogs Tonight: An African Childhood, by Alexandra Fuller
PDF Download Don't Let's Go to the Dogs Tonight: An African Childhood, by Alexandra Fuller
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From Publishers Weekly
A classic is born in this tender, intensely moving and even delightful journey through a white African girl's childhood. Born in England and now living in Wyoming, Fuller was conceived and bred on African soil during the Rhodesian civil war (1971-1979), a world where children over five "learn[ed] how to load an FN rifle magazine, strip and clean all the guns in the house, and ultimately, shoot-to-kill." With a unique and subtle sensitivity to racial issues, Fuller describes her parents' racism and the wartime relationships between blacks and whites through a child's watchful eyes. Curfews and war, mosquitoes, land mines, ambushes and "an abundance of leopards" are the stuff of this childhood. "Dad has to go out into the bush... and find terrorists and fight them"; Mum saves the family from an Egyptian spitting cobra; they both fight "to keep one country in Africa white-run." The "A" schools ("with the best teachers and facilities") are for white children; "B" schools serve "children who are neither black nor white"; and "C" schools are for black children. Fuller's world is marked by sudden, drastic changes: the farm is taken away for "land redistribution"; one term at school, five white students are "left in the boarding house... among two hundred African students"; three of her four siblings die in infancy; the family constantly sets up house in hostile, desolate environments as they move from Rhodesia to Zambia to Malawi and back to Zambia. But Fuller's remarkable affection for her parents (who are racists) and her homeland (brutal under white and black rule) shines through. This affection, in spite of its subjects' prominent flaws, reveals their humanity and allows the reader direct entry into her world. Fuller's book has the promise of being widely read and remaining of interest for years to come. Photos not seen by PW. (On-sale Dec. 18)Forecast: Like Anne Frank's diary, this work captures the tone of a very young person caught up in her own small world as she witnesses a far larger historical event. It will appeal to those looking for a good story as well as anyone seeking firsthand reportage of white southern Africa. The quirky title and jacket will propel curious shoppers to pick it up.Copyright 2001 Cahners Business Information, Inc.
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From School Library Journal
Adult/High School-Pining for Africa, Fuller's parents departed England in the early '70s while she was still a toddler. They knew well that their life as white farmers living in Zimbabwe (Rhodesia at the time) would be anything but glamorous. Living a crude, rural life, the author and her older sister contended with "itchy bums and worms and bites up their arms from fleas" and losing three siblings. Mum and Dad were freewheeling, free-drinking, and often careless. Yet they were made of tough stuff and there is little doubt of the affection among family members. On top of attempting to make a living, they faced natives who were trying to free themselves of British rule, and who were understandably not thrilled to see more white bwanas settling in. Fuller portrays bigotry (her own included), segregation, and deprivation. But judging by her vivid and effortless imagery, it is clear that the rich, pungent flora and fauna of Africa have settled deeply in her bones. Snapshots scattered throughout the book enhance the feeling of intimacy and adventure. A photo of the author's first day of boarding school seems ordinary enough- she's standing in front of the family's Land Rover, smiling with her mother and sister. Then the realization strikes that young Alexandra is holding an Uzi (which she had been trained to use) and the family car had been mine-proofed. This was no ordinary childhood, and it makes a riveting story thanks to an extraordinary telling.Sheila Shoup, Fairfax County Public Library, VA Copyright 2002 Reed Business Information, Inc.
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Product details
Hardcover: 320 pages
Publisher: Random House; 1st edition (December 2001)
Language: English
ISBN-10: 1402561326
ISBN-13: 978-1402561320
ASIN: 0375507507
Product Dimensions:
5.7 x 1 x 9.5 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
724 customer reviews
Amazon Best Sellers Rank:
#129,017 in Books (See Top 100 in Books)
The mum said it best: we’re all mad but I’m the only one with acertificate to prove it “I found the language in this book entertaining with many different expressions I hadn’t heard before such as “pecker upâ€.The author lives in Wyoming but loves loves loves Africa. Why? Beats me. The horrendous floods after the land first dries to a crisp, the snakes, hippos, lack of clean water and flushable toilets. Is it any wonder they’re all mad? They all start drinking beer at a young age so the get togethers are drunken parties and the parties go on for days. A result of not being able to drink the water perhaps?All in all I loved the book and learning about a curious lifestyle.
This is a revalation to me about the history and living conditions in Rhodesia/Zimbabwe. The author's love of the land comes through so clearly in spite of all the hardships. Her family was so quirky and fun to know about but the sad undertones were always present. She seldom feels sorry for herself so I went along with her for the ride amazed at all the hardships they endured. The dichotomy of white superiority vs helping all who came along no matter who they were was revealing.
for the most part Alexandra Fuller writes a delightful account of her life growing up in Africa with a few years off in the UK. The one thing that keeps this book from getting five stars is that it was often hard to tell where she was in the story. It would be greatly helped if at the beginning of each chapter it said something like:Chapter titleBotswana1962age 12I've given the book to a friend so can't check what & where for the year/age but you get the idea.
This hauntingly beautiful and often humorous memoir about the author's Rhodesian childhood perfectly embodies that age-old mantra of our writing teachers, show, don't tell! Fuller's prose "shows" us a clear, unsentimental picture of Africa in the latter half of the twentieth century. It shows us everything: the striking beauty of the terrain, the landmines, the poverty, the violence, the vestiges of colonial life. She shows us the eccentricities of her parents, farmers whose combination of ethnocentrism and heartfelt humanitarianism are sure to befuddle we 21st century American readers with our predilection for putting people into distinct categories. She shows us this with stunning, evocative prose. And she doesn't tell us things. She doesn't politicize in either direction. She doesn't allow her narrative to be perforated with a million post-colonial caveats, admonitions and qualifications. She tells us neither that her parents were racist nor that they were saints. She doesn't editorialize about the legitimacy of her parents' love for Africa, or the fact that they considered it their rightful home. She simply shows us what her life was like in a way that makes a girl from a suburb of Los Angeles feel as though she were really there.The fact that Alexandra Fuller chooses "showing" over "telling" has led some readers to call this book "Anti-African" and others to call it "detached." Readers will take from it what they will, but I found it to be neither of these things. I found a memoir that renders a unique life in a unique time and place, with pathos, humor and eloquence.
I loved this book so much; the prose, the story. Very unusual and different from anything I've ever read. Such a fascinating upbringing and oddball family. Stunning descriptions and a great sense of place. I'd recommend this memoir to anyone. So glad it was a pick for my book club as I may not have thought of reading it otherwise.
I enjoyed the author's snappy style of writing and wanted to like this book, but sadly it ends there. Her attempts to paint a picture of life in Africa were creative but lacked depth. The one message the author succeeded to clearly communicate was that she and her family were seriously impaired marginally functional alcoholics who managed to maintain a continual state of drunken inebriation with the help of multitudes of hired Native African hands who essentially ran the household and farm on their behalf.
I have read all of Ms. Fuller's books and liked all of them. I have a family member (sister) who lived in Africa for 15 years in Nigeria and Congo. While I always enjoyed her tales of travel and the expat life I also saw the downfall of her through the years.It was sad. Alexandera's writings are sad. But she tells it like it was. I liked every word, every line. I have read parts of this book several times as I am so amazed at how young children can survive and learn and actually turn into such fascination , educated and well traveled people. But then that comes with their territory and their determination. Their exposures to the world away from the US certainly prepares them to have lived a full and interesting life. I am always struck by the stories they tell as told by their African staff and the love they have for each other as a family.I would recommend another book told along these lines: The Power of One by Bryce Courtenay. Africa - Africa - Africa. Such stories to be told.
I have recently visited Zimbabwe and Zambia, and Bobo’s stories gave me a window into the lives of the settlers and the revolutions of the 1970s and ‘80s that I found fascinating. Her writing style took a little getting used to in the beginning, but once I got into the rhythm, the pace matched the details and excitement of the story being told. If you love the outdoors and had your own childhood adventures, as I did growing up in the same era (but in the U.S.), then you’ll really be able to relate to this descriptive tale of wide-open spaces and adventures.
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